Foreigner on the Island, 2026. Philippine Airlines complimentary flight socks, reclaimed dowels.
tradwife, 2026. Cotton yarn, cotton t-shirt, wire, zipties, cement.
One Size Fits All, 2026. Secondhand fabric, sonotube, polyfill, found sunbleached shopping cart.
Libertas, 2023. Bedsheet, polyfill, and found lamp from Locke, CA.
Stuffed, 2023. Hand embroidery & mixed media on bedsheet, refrigeration copper tubing, ash wood.
Self, 2024. Found mirror, scrap foam, scrap fabric, mixed media.
Self, 2024.
Polypropylamp, 2024. Plastic bags, waxed cord, lamp cord.
Polypropylamp, 2024.
Suffer for Fashion, 2021. Bedsheet, curtains, insulation foam, & fence board.
Shopping Bag Series
BUY UNTIL YOU DIE, 2026. Hand embroidery on plastic bag, plush yarn.
Fuck You, 2021. Hand embroidery on plastic bag.
you can buy me love, 2021. Hand embroidery on plastic bag.
More More More, 2021. Hand embroidery on plastic bag.
Thank You, 2020. Hand embroidery on plastic bag.
You Are What You Buy, 2020. Hand embroidery on plastic bag.
Embroidered Paintings
Dance, 2023. Hand embroidery and India ink on canvas. 16"x20".
Filled, 2022. Hand embroidery and India ink on canvas. 16"x20".
Melt, 2022. Hand embroidery and India ink on canvas. 16"x20".
Spill, 2022. Hand embroidery and India ink on canvas. 16"x20".
Whole, 2023. Hand embroidery and India ink on canvas. 16"x20".
First, Last (Death Valley), 2022. 36" diameter. Hand embroidered painting on raw canvas.
First, Last (Death Valley), 2022. 36" diameter. Hand embroidered painting on raw canvas.
First, Last (Death Valley), 2022. 36" diameter. Hand embroidered painting on raw canvas.
First, Last (Death Valley), 2022. 36" diameter. Hand embroidered painting on raw canvas.
Artist Statement
I use embroidery, found objects, and secondhand textiles to create soft sculptures and installations that explore the invisible themes of labor, time, waste, and gender that are embedded within the fabric of our capitalist society. My process-based practice involves experimentation, play, and manipulation of materials until fully transformed. Through processes involving repetition and multiplication, I create visually stimulating textures, biomorphic forms, and playful color stories that nod to the absurdity of humanity while highlighting patterns, feelings, and moments we collectively experience.
If you’d like to follow my work more intimately, see the “behind the scenes” of my in-progress projects, learn more about my practice and what inspires me, subscribe to my Substack and receive my newsletter directly to your inbox.